Planned Parenthood Blasts Monroe Film ‘Blonde’ for Forced Abortions, CGI Fetus Asking ‘You Won’t Hurt Me This Time, Will You?’

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Deliberate Parenthood is talking out in opposition to the Marilyn Monroe movie Blonde for displaying two graphic compelled abortion scenes and a CGI child asking, “you gained’t damage me this time, will you?”

Deliberate Parenthood has known as the movie “anti-abortion propaganda.”

In a single scene, Ana de Armas, who performs Monroe, is seen speaking to her child.

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In a press release to the Hollywood Reporter, a spokesperson for Deliberate Parenthood mentioned that the “medically inaccurate descriptions of fetuses” contributes to “abortion stigma.”

“As movie and TV shapes many individuals’s understanding of sexual and reproductive well being, it’s essential these depictions precisely painting ladies’s actual selections and experiences,” Caren Spruch, Deliberate Parenthood Federation of America’s nationwide director of arts and leisure engagement, advised The Hollywood Reporter. “Whereas abortion is secure, important well being care, anti-abortion zealots have lengthy contributed to abortion stigma by utilizing medically inaccurate descriptions of fetuses and being pregnant. Andrew Dominik’s new movie, Blonde, bolsters their message with a CGI-talking fetus, depicted to seem like a totally fashioned child.”

Spruch continued, “Deliberate Parenthood respects inventive license and freedom. Nevertheless, false photos solely serve to bolster misinformation and perpetuate stigma round sexual and reproductive well being care. Each being pregnant end result — particularly abortion — must be portrayed sensitively, authentically and precisely within the media. We nonetheless have a lot work to do to make sure that everybody who has an abortion can see themselves onscreen. It’s a disgrace that the creators of Blonde selected to contribute to anti-abortion propaganda and stigmatize individuals’s well being care selections as an alternative.”

The movie’s author and director Andrew Dominik stays unapologetic concerning the scenes.

“What the film is saying is she’s not seeing actuality. She’s seeing her personal fears and wishes projected onto the world round her,” Dominik advised The Wrap. “You see it continuously repeatedly that she’s reacting to a narrative that she’s carrying inside her. And I feel form of this want to have a look at ‘Blonde’ by way of this Roe v. Wade lens is all people else doing the identical factor. They’ve bought a sure agenda the place they really feel just like the freedoms of ladies are being compromised, and so they have a look at ‘Blonde’ and so they see a demon, nevertheless it’s not likely about that. I feel it’s very troublesome for individuals to step exterior of the tales they carry inside themselves and see issues of their very own volition. And I feel that’s actually what the film is about. The hazards of that. However you recognize, it’s troublesome for individuals to have the ability to maintain two issues of their thoughts without delay. It’s both black or white.”

“Individuals are clearly involved with losses of freedoms,” Dominik continued. “However, I imply, nobody would have given a shit about that if I’d made the film in 2008, and doubtless nobody’s going to care about it in 4 years’ time. And the film gained’t have modified. It’s simply what’s form of occurring.”





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